What are your current computer specs? Can you do other (less demanding) edit functions with the h.265 files in other editing software? According to some people, anything less than a tip-top CPU/GPU setup will yield very crippled previews. Whether you’re working with MXF from a camera like the Canon C300 II or you are a Sony F5 or FS7 (XAVC) shooter, EditReady has you covered. Maybe future versions of Browse will support XAVC-HS, but my guess is that the processing requirements for h.265 compression would demand huge processing power and / or lots of time to render the stabilizations. We were not able to produce a rewrapped file with EditReady that played. If you’re not already a user, download the free trial today. those are clean h.264 with same weight, sitting in the optimised folder. EditReady 1.1.2 contains a number of fixes and enhancements and is recommended for all users. rewrap to mov gives me a green screen with scrambled stripes ( image attached ) FCPX has no problems creating. (SYSTEM 1) iMac Late 2012 27' (13,2), Mac OS X 10.15.6, Avid Media Composer 2020.12 w/Symphony, Intel Core i7 3. testing the trial version for compatibility with Sony FS7 XAVC-L files. But a rewrap in EditReady is almost certainly the best way to begin. or some of it, or transcode to a proxy for later relink-retranscode, whatever you want. I seriously doubt any extant third party conversion tools are designed to preserve the metadata. See my edit above, issue seems to be use of the XAVC-L codec which Premiere can only handle in its native MXF wrapper. You can transcode the AVCHD files into a more usable format with apps like ClipWrap (AVCHD) or EditReady (AVCHD, XAVC-S, etc.), for example, and then import the resulting video clips into FCPX. Ive tried many times to use the XAVC-s with Avid, like most to no avail. EditReady is designed with video professionals in mind. Create, assign, track, and manage employees initial and ongoing training to standardize and enhance the employee training experience. XAVC, AVC-Intra, ProRes, or other I-Frame capable formats) Minimum of 16-bit Linear or 10-bit. The h.264 alternatives probably all include the gyro metadata. Does EditReady have: Training and Development Nope. Your solution is to convert your files to one of the compatible formats (but likely lose the gyro metadata) or to use a Catalyst compatible format when shooting. The Son圜reativeSoftware site explains what file formats are compatible with Catalyst Browse Īpparently XAVC-HS (which is new and uses h.265 compression) is not a format it will import.
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